Hauschka live in concert.
ON TOUR

Hauschka

10
critic concert reviews
global

How Good Are They LIVE?

Live Rating  

76
%
Based on 
10
critic concert
reviews
Last 12 Months Rating  
%
Based on 
critic concert
reviews

Real Live Certified  

Real Live Certified badge for artists with consistent, high quality live performances and broad critical acclaim.

Critic Consensus

Based on 10 concert reviews, the critic consensus is that Hauschka is rated as an entertaining live performer, with many notable strengths. Hauschka concert reviews describe live shows and performances as accessible, improvised, haunting, ethereal, and glorious.

ON TOUR

TivoliVredenburg, Utrecht, Netherlands (October 13);

FESTIVALS IN 2024

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Latest Release

Philanthropy (October 20, 2023)

Artist Info

Genre
global
Origin
Kreuztal, Germany (1966) (1966)
Bio
Volker Bertelmann is a composer/pianist (born October 11, 1966 in Ferndorf, Kreuztal, North Rhine-Westphalia, Germany), who currently resides in Dusseldorf, North Rhine-Westphalia, where he has lived since 1990 after he moved from Cologne. He started releasing music as Hauschka in 2004.
Has Performed With

Critic Concert Reviews

Under the Radar (USA)

November 20, 2023
%
Iceland Airwaves, Reykjavik, Iceland, November 2-4, 2023,

musicOMH (UK)

November 6, 2023
80
%
German pianist Volker Bertelmann’s compelling, hypnotic piano manipulations see him find beauty in irregularity

Gaffa (Denmark)

August 30, 2017
83
%
Sankt Lukas Kirke, Aarhus, Denmark

The Skinny (UK)

May 19, 2014
80
%
The International Anthony Burgess Foundation, Manchester, UK on May 16, 2014

God Is In The TV Zine (UK)

May 11, 2014
%
Then, the German pianist and experimental composer who performs under the name Hauschka, provided an improvised live accompaniment to the waking dream that is Danish film-maker Carl Dreyer’s classic gothic horror film, Vampyr.

Undertoner (Denmark)

April 10, 2014
67
%
Jazzhouse, Copenhagen, Denmark on April 9, 2014

Exclaim (Canada)

April 25, 2011
%
The resulting jagged timbres unified both percussive instruments, marrying their sounds from across the stage into one glorious creation. It sounded as if one had stumbled into a post-apocalyptic German cabaret, with Kosminen's off-kilter rhythms supporting Bertelmann's minimal piano melodies ethereally warpe

Past critic reviews published in

Exclaim (Canada), The 405 (UK), The Line Of Best Fit (UK)

Image Credit

Simsullen [CC BY-SA 2.0] via Wikimedia Commons