"How good are they LIVE?" in the last 12 months on 100 (as of 1/30/26)
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Based on
critic concert reviews
Real Live Certified
Artists are "Real Live Certified" if their live shows have broad critical acclaim
Critics Consensus
Based on 33 concert reviews, the critics consensus is that Kathleen Edwards is rated as a neither good nor bad live performer, with shows that lack distinction. Kathleen Edwards concert reviews describe live shows and performances as meaningful, intricate, and refined.
How long are their concerts?
How long are Kathleen Edwards concerts? Kathleen Edwards concerts usually last an hour and a half.
How much to book?
How much does it cost to book Kathleen Edwards? To hire for a live performance or concert, the booking fees for Kathleen Edwards range from $10,000 - $15,000, with Kathleen Edwards's current estimated booking fee to be around $10,000.
On tour
Debaser Nova, Stockholm, Sweden (May 28); Kulturkvarteret Kristianstad, Kristianstad, Sweden (May 30)
Kathleen Edwards (born July 11, 1978 in Ottawa, Ontario) is a Canadian singer-songwriter and musician. Her 2003 debut album, Failer, contained the singles "Six O'Clock News" and "Hockey Skates".
Has Performed With
Artist Website
Critic Concert Reviews
Americana Highways (USA)
September 23, 2025
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Walking into Fairfield Theatre Company’s Warehouse on a cool September evening, I carried with me curiosity. Despite her long career and critical acclaim, I had somehow never listened to Kathleen Edwards.
We Got a True Glimpse Into Kathleen Edwards' Soul At Her Dallas Show on Wednesday; Jazz Drummer Payton Taylor Is Beating Expectations; We Tried Jack Harlow's New KFC Meal, and It Sure As Hell Ain't First Class
Tonight is the first of two gigs at London’s Bush Hall, a gorgeous venue complete with chandeliers and a sparsely decorated Christmas tree, and it’s a room well suited to her sound.
It’s understandable, though, considering she’s recently come off a divorce to longtime collaborator Colin Cripps, and perhaps the lengthy space between 2008’s Asking For Flowers and Voyageur produced some artistic weariness and doubt.
The song is a sprawling beautifully-realised portrait of loneliness and the tightness of Edwards’ backing band only increased its eerie claustrophobia.
