"How good are they LIVE?" in the last 12 months on 100 (as of 9/15/25)
83
%
Based on
5
critic concert reviews
Real Live Certified
Artists are "Real Live Certified" if their live shows have broad critical acclaim
Critics Consensus
Basement Jaxx is 'Real Live Certified' and is in the top 10% of all live performers. Based on 53 concert reviews, the critics consensus is that Basement Jaxx is rated as a superb live performer, with remarkable shows that are worth watching. Basement Jaxx concert reviews describe live shows and performances as dazzling, eclectic, effortless, energetic, engaging, lively, and entertaining.
How long are their concerts?
How long are Basement Jaxx concerts? Basement Jaxx concerts usually last from an hour and 15 minutes to up to an hour and a half.
How much to book?
How much does it cost to book Basement Jaxx? To hire for a live performance or concert, the booking fees for Basement Jaxx range from $40,000 - $300,000, with Basement Jaxx's current estimated booking fee to be around $150,000.
On tour
Hagley Park, Christchurch, New Zealand, (February 27);
Basement Jaxx is an English house music duo comprised of Felix Buxton and Simon Ratcliffe that rose to popularity in the late 1990s. Basement Jaxx started in Brixton, South London, UK in 1994, where they held a regular club night called Rooty, which would later become the name of their second album.
Has Performed With
The Metropolitan Orchestra
Artist Website
Critic Concert Reviews
RockShot Magazine (UK)
September 12, 2025
%
Latitude Festival 2025 Day One: Sting Shines, Basement Jaxx Bring The Heat & Rising Stars Steal The Spotlight
Basement Jaxx are no strangers to the touring circuit of Australia. They've played festivals like Big Day Out and Good Vibrations as well as played some very energetic headline shows across the country but this visit sees them giving audiences something a little different.
Contemporary act-plus-orchestra shows aren't a new phenomenon in rock, with arena-size bands churning out orchestral projects since the 80's; an attempt at legitimising corporate rock, re-selling already existing albums and making mums proud.
