Ahmad Jamal live in concert.
ON TOUR

Ahmad Jamal

12
critic concert reviews
jazz

How Good Are They LIVE?

Live Rating  

93
%
Based on 
12
critic concert
reviews
LAST 12 MONTHS RATING  
%
Based on 
critic concert
reviews

Real Live Certified  

Real Live Certified badge for artists with consistent, high quality live performances and broad critical acclaim.

Critic Consensus

Ahmad Jamal is 'Real Live Certified' and is in the top 1% of all live performers. Based on 12 concert reviews, the critic consensus is that Ahmad Jamal is rated as an outstanding live performer, with many notable strengths. Ahmad Jamal concert reviews describe live shows and performances as emotional.

ON TOUR

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FESTIVALS IN 2024

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Latest release

Chicago Revisited: Live At Joe Segal's Jazz Showcase (Live At Joe Segal's Jazz Showcase, Chicago, IL / November 12-13, 1992) (February 17, 2023)

artist info

GENRE
jazz
ORIGIN
Pittsburgh, United States (7/2/1930)
BIO
Celebrated pianist-composer Ahmad Jamal continues his performance schedule around the world, as he has for well over the last four decades.
HAS PERFORMED with
Ahmad Jamal Quartet

CRITIC concert REVIEWS

Chicago Tribune (USA)

October 13, 2018
%
Sixty years ago, a young pianist in Chicago startled the jazz world — and listeners far beyond — with a recording that remains a classic: “Ahmad Jamal at the Pershing: But Not for Me.”

State Magazine (Ireland)

January 30, 2014
%
Dublin, Ireland

The Guardian (UK)

January 28, 2014
100
%
Some might maintain that the Pittsburgh pianist Ahmad Jamal is too much of a showman to be a great artist, as they did when he had his slick jukebox hit with Poinciana in 1958.

Financial Times (UK)

January 28, 2014
100
%
Somewhat ahead of his time Jamal’s solos compressed gospel soul and lounge trio jazz rolling blues and sparkling bebop lines into a single emotionally rich improvisation.

The Guardian (UK)

February 12, 2013
100
%
When he found pop stardom in 1958, Ahmad Jamal became a hot ticket for the singles-buying audience, but was labelled a sellout by the jazz police.

Financial Times (UK)

February 11, 2013
100
%
The first catchy riff and well-spaced pedal at the Barbican showed why this might have been so.

OC Weekly (USA)

November 26, 2012
%
His use of space and repetition hold a unique place in a genre that prizes dexterity and note count.

Past critic reviews published in

SF Weekly (USA), Concert Livewire (USA), The Austin Chronicle (USA)

IMAGE CREDIT

Vsb [CC BY-SA 3.0] via Wikimedia Commons